In 2004 Smeijers was appointed Professor of Digital Typography at the Hochschule für Grafik und Buchkunst, Leipzig. One particular type was one that was believed to be Garamond’s work but was actually one designed. The name was also given to his first published typeface: FF Quadraat, launched in 1992. At the end of the 19th and the beginning of the 20th centuries, the Garamond types saw their first revival at the hands of the Imprimerie Nationale, a type foundry that had old-style punch cuts and matrices from before the war and earlier. Quadraat sans by Fred Smeijers, who established the design group Quadraat (in Arnhem). In 1985, Adrian Frutiger adapted Janson for Linotype. The original Janson antiqua first underwent a transformation into another composition style in the 1950s under Hermann Zapf. Some font historians dispute this and credit the authorship to Nicholas Kis, a Hungarian punch-cutter. The models for this font were originally credited to Anton Janson (1620-1687), a German punch-cutter working in Holland. David Berlow found his models in Stephenson Blake grotesques from the 1800s. Further weights were designed for Entertainment Weekly and Madrid daily El Sol a family of twelve fonts by 1993. Developed in 1989 for Roger Black, The Tribune Companies, and Newsweek, the first Grotesques met with immediate success. See also Big Moore and Baskerville Old.Bureau Grotesque reintroduces the tooth and character of the nineteenth-century sans. It is not made above 18-point, nor – since it was reinstated – below small 18-point.” ĭigital versions by URW, Scangraphic, Linotype, Elsner+Flake, KTKM. It is a handsome typeface in itself, but has little in common with its roman mate other than adjustment to the narrowness of small sizes. ATF Baskerville Italic was designed in 1915 by Morris F. Production was discontinued about 1950, perhaps because most specimens didn’t show the handsome larger sizes in sufficient detail it was reinstated in 1957 without the sizes below 18-point. Small sizes to 14-point tend to be rather light and narrow, while sizes from 30-point up have more weight and vigor. In England it is known as the Fry Foundry version, and is said to have been cast from original matrices cut about 1775 by Isaac Moore as a close copy of Baskerville's own types. 18), the punches were cut and shown in samples in 1776 by Isaac Moore, who came from Birmingham to Bristol.” – Jan Tschichold, Meisterbuch der SchriftĪTF’s Baskerville Roman AKA American Baskerville was “produced from strikes (unfinished matrices) brought from Stephenson Blake, English typefounders, in 1915. According to Berthold Wolpe ( Signatures No. Even keeping the general restraint extremely expressive. It is one of the most beautiful types of which the mats still exist it has an incomparably different spirit than the ‘streamlined’ re-cuts of today’s Baskerville. … is probably not immediately linked to Baskerville, but it is very much influenced by it. “So-called Baskerville Old Face of the type foundry Stephenson Blake & Co. To be rather light and narrow, while sizes from 30-point up have InĮngland it is known as the Fry Foundry version, and is said to haveīeen cast from original matrices cut about 1775 by Isaac Moore as aĬlose copy of Baskerville's own types. an old wives tale that predicts the babys gender by dangling a needle on a. In the 1750s, Baskerville set out to design a thinner version of Caslon, the de facto typeface at the time. Samples in 1776 by Isaac Moore, who came from Birmingham toīaskerville was “produced from strikes (unfinished matrices)īrought from Stephenson Blake, English typefounders, in 1915. and is a somewhat stylized revival of the Baskerville typeface. The font dates back to the 1730s, when an English businessman named John Baskerville first began working on engravings for tombstones using a style of writing that would later resemble the lettering of his eponymous typeface. Incomparably different spirit than the ‘streamlined’ re-cuts of It is one of the mostīeautiful types of which the mats still exist it has an … is probably not immediately linked toīut it is very much influenced by it. “So-called Baskerville Old Face of the type foundry These are the most common typefaces in the database, but there are many more.Haas Inserat-Grotesk / Neue Aurora VIII (52).
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